GORE Vidal’s play about backstage political machinations during a presidential campaign premiered in 1960 but it might have been written this year. Director Simon Evans wisely avoids updating the context of his star‑studded production to the Trump era for one simple reason: he does not need to.
Friday, 9 March 2018
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» The Best Man review: Slick, pacy and packed with great dialogue
The Best Man review: Slick, pacy and packed with great dialogue
GORE Vidal’s play about backstage political machinations during a presidential campaign premiered in 1960 but it might have been written this year. Director Simon Evans wisely avoids updating the context of his star‑studded production to the Trump era for one simple reason: he does not need to.
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