WHEN film director Mike Leigh’s production of The Pirates Of Penzance was premiered in 2015, the slightly reverential approach lacked the anarchic quality of its librettist WS Gilbert.
Sunday, 19 February 2017
Opera reviews: The Pirates of Penzance and Bach and the Italian Concerto
WHEN film director Mike Leigh’s production of The Pirates Of Penzance was premiered in 2015, the slightly reverential approach lacked the anarchic quality of its librettist WS Gilbert.
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